At first the knobs may seem a bit daunting but the controls provide deep editing for reverb fanatics. The natural-sounding earthy reverbs that you can conjure with this plug-in is easy to integrate with any type of music, so its not surprising that it continues to be well received by professionals like Cirque du Soleil engineer and producer Rob Heaney. This plugin offers true stereo convolution processing which when paired with its high-quality sample rate results in natural and lush sounding reverb. Usefully, two otherwise identical versions of the plug—in are supplied, set up to occupy different amounts of screen space; I found the text a touch small on the compact version, but it will be more manageable for laptop users. These custom—designed mastering mixers were introduced in 1972, and proved so successful that several are still in use today. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. However, the extras on the Pro version will add a great deal to your tonal palette, and I think it's good value.
However, I found it just as useful in creating tone colours that you could never achieve elsewhere, using the Blend mode to emphasise or tame transients on drums or picked guitars, for instance , or create subtle backward filter 'thweeps' and other dynamic effects. Redline Reverb Get the demo now: Redline Reverb is a full algorithmic stereo reverb plugin that comes with an impressive array of presets, 112 factory presets in total, and it lets you create your own personalized reverb effect via its extensive tweakability. Stretch control high quality re-sampling. The Superhall feature is also amazing with keyboards and synth tracks, showing that the strength of this plugin lies on its long modulated hall type sounds. As expected, the reverb produced by this plugin is amazing, paying homage to the iconic hardware it was based upon. Stretch control high quality re-sampling.
The software side of the system allows for the real-time convolution. . Other nice features include a gating section, diffusion and a reverb hold control. This all adds up to a very powerful equalisation tool accessed via a single window, but how does it sound? What you get contains the information needed to reproduce the same room with other signals. High-quality internal sample rate converting. For the inexperienced, it would be best to begin with the built-in presets which most of these plugins have to get a handle of how the various parameters affect the reverb. It comes with an all-pass interpolator chorus and other post-processing effects to further tweak the resulting effect.
The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. This plugin comes with 11 original reverberation algorithms that the developer designed from the ground up to better replicate traditional hall, plate and room sounds. The advantage of this approach is that the presets are all neatly lined up in the right—hand pane under the impulse response that they relate to, which makes it easier to find the correct preset for the job. Developer Christian Knufinke has finally come up with a successor, though, which is intended to be the bigger, better, not to mention costlier version. ValhallaRoom is not as flexible as the other reverbs but it excels in what it can do, which is practical since you only need a few algorithms that actually work to produce great sounding tracks. This plug-in is also just as capable of providing traditional reverb sounds, you can create traditional or non conventional sounds to match your music. If you are expecting a basic plugin, you will be surprised to find that Ambience has a lot of parameter settings that you can tweak.
And the clutter free interface shows only what you need to see and adjusts to give you the effects that you need. Cobalt is supplied with an impressive preset collection and these do a good job of demonstrating what the synth is capable of. In all other respects, Cobalt is a breeze to use and, because it offers a fairly straightforward control set, is very easy to program. And reviews are consistent in saying that they all sound impressive. With very small adjustments I soon turned a lacklustre mix into something with all the sparkle and punch I needed — most impressive. Instead of going for versatility and life-like room representations, this plugin behaves like old hardware reverb featuring only three reverb algorithms, one hall and two plate type reverbs.
Thanks to the studio's partnership with Chandler, some of their most revered processors are available as rackmounting products, and their range also includes plug—in emulations of several key items. Impulse-responses are generated by recording short broadband signals and their corresponding room-reflections. You can get a variety of sounds ranging from concrete up to smooth and does this with good transparency and without any unwanted artifacts. The analyser display also works well, but how important this is depends on how much you rely on your eyes to locate potential mix problems. Reverberate Get the demo now: Reverberate is a cool convolution plugin that may not be that popular, but deserves its spot among the best. This would be compatible with both 32 bit and 64 bit windows.
Even better, you can alter the wet level using the Trim control — if it's lower than the dry level, louder signals effectively become compressed, while with the wet level higher than the dry, ColorTone—Pro becomes an expander. I spent many happy hours experimenting with ColorTone Pro, and although its various controls can be initially confusing especially in combination , it's well worth persevering, since together the three stages offer a huge number of possibilities. Although it maybe limited, it does have all the essentials for the typical rock band recording, - be it a small room reverb for drum tracks or traditional plate reverb sound for your guitars, Eos will deliver. Each of the four bands is dedicated to its own area of the frequency spectrum — low, low—mid, upper—mid and high — and offers a choice of five stepped corner frequencies. You can download impulse-responses here at.
It has all the essentials you need with Late and Early reverb sections for conjuring simple to large chamber ambiance. I experienced absolutely no problems during testing within Cubase 4, so it also seems to be fairly robust. Individual people have individual, based on their unique head geometry and. Sir is a stereo plugin. As you might imagine, these filters take on a resonant character at higher Q settings, making them useful for sound design as well as for corrective processing. There are several presets based on each of these. It's akin to the difference between the fuzzy stereo of a spaced mic pair and the more accurate stereo of a coincident rig.
Once the virtual room is set up, and methods are commonly used for generating a room impulse response in the room. I'm anticipating using mine quite a lot in the future. You can also use various impulse responses from free or commercial sources. Two frequency modulation sources can be selected, and the filter can also respond to aftertouch if your keyboard supports it. It beat the other plugins with its ideal balance of flexibility, quality and cost. The feature set is rounded off by the effects section which includes overdrive, noise, panner, chorus and delay. Cobalt might not be the most advanced software synth available, but it is certainly a very capable instrument and, because it is easy to get to grips with, those without a PhD in synthesis ought to find it very accessible.
It's only able to handle simple stereo or mono impulse responses, too. Check this out if you are looking to go beyond the conventional, while still having the option to utilize traditional reverb styles. Cobalt uses a 12dB—per—octave filter and offers the usual cutoff and resonance controls. It´s a simple yet effective plug-in that´s suitable for all your convolution needs. Standard controls are available along with its unique reverb tail modulation which lets you control the reflection pattern. Separate envelopes are available for amplitude and for a low—pass filter's cutoff frequency, and you can enter as many breakpoints as you like while you zoom in and out of the impulse response's waveform. It works really well with drum tracks and even vocals.